Entre Deux
Vol. IV | Restraint
Entre Deux is a study in the House's language of restraint. Inspired by the measured tension of The Thomas Crown Affair (1968) — the interplay between Steve McQueen and Faye Dunaway — it explores the elegance of what is withheld.
The collection takes form through hand-gathered detail, shaping the waist and refining the feminine silhouette. Entre Deux introduces Slow Silk from Piedmont — woven under greater tension and at a slower pace than conventional silk, a process that produces a fabric of exceptional weight, depth, and subtle sheen. A material that, like the collection itself, withholds something in its making.
—
Each piece is commissioned and tailored to order.
Detailed imagery and fabrics available upon request.
Enquire with the Concierge.
Noémie & Camille
Evening Elegance
The Noémie Blouse and Camille Skirt are designed as a single composition — the halter neckline with its soft draped scarf revealing a deep V at the back, paired with the fitted skirt that opens through hand-sewn godets into graceful, fluid movement. Cut in Silk Crepe de Chine, each piece is made to be worn together, the two silhouettes resolving into one continuous, refined line.
—
Each piece commissioned separately, to live beyond the look. Tailored by Armine.
Clémence
Summer Repose
The Clémence Set — a sharply cut shirt with an elongated neckline, softened through a hand-gathered waist that shapes the bodice with precision, worn with a full-length skirt in the same cloth. Composed in Silk Crepe de Chine to be worn together or apart, each piece carrying the line of the other.
—
Each piece commissioned separately, to live beyond the look. Tailored by Natalia
Véronique Suit
The Enclosure
The Veronique Jacket is defined by a high collar and concealed closure, short sleeves and a softly curved hemline that shapes the body with precision. Tailored in beige Slow Silk, it sits close to the waist — structure balanced with lightness. Presented here with the Gina Mini Skirt as a complete suit, composed in the spirit of 1960s dressing.
—
Each piece commissioned separately, to live beyond the look. Tailored by Lidia.
House Signature
The Valentina Jacket reimagined in beige Slow Silk — a study in structure and restraint. Tailored with precision through the body, it defines the silhouette with a clean, composed line, finished with the House's signature detailing. Woven using traditional methods in Piedmont, the Slow Silk brings depth and quiet integrity to the piece.
—
Tailored by Keti.
Elise Suit
The Edit
The Elise Jacket is defined by a gathered, wrapped waist — sculpted through the body with precision, composed to refine and accentuate the silhouette. Cut in dove grey Slow Silk with the House's signature tailoring, it is one of the central pieces of Entre Deux. Presented here with the Camille Skirt.
—
Each piece commissioned separately, to live beyond the look. Hand-tailored by Lidia.
Margaux
Open Country
The Margaux Dress is defined by a hand-gathered waist belt, softly shaping the silhouette before falling into a fluid midi length. A subtle pleat at the waist refines the line, leading to a deep V back, where hand-pleated contour detailing sculpts the body with precision. Finished with an elegant cap sleeve, the piece balances structure and ease.
—
Hand-tailored by Armine.
Alizée
Between Hours
The Alizée Blouse is defined by a wrapped silhouette — sharp, hand-sewn pleats shaping the bodice with precision, accentuating the waist before rising to a clean halter neckline. Fastened along the back with a line of buttons, it holds softness and structure in careful balance.
Vivienne
The Last Scene
The Vivienne is a halter gown of absolute simplicity — a clean neckline, a bare back, and a draped cape that falls from the shoulders with quiet drama. Cut in black Silk Crepe de Chine from Lombardia, it moves with the effortless authority of a woman who requires nothing more. Composed in the spirit of 1960s evening dressing, where restraint was the ultimate gesture.
Hand-Tailored by Lidia
Lucienne
The Mirror
The Lucienne Top is defined by a tied open back — a vintage, feminine gesture shaped through a series of hand-stitched ties that contour the silhouette. Cut in dove grey Slow Silk, the line is composed to sit cleanly at the waist, refined in its proportion. Presented here with the Chiara Pencil Skirt.
—
Each piece commissioned separately, to live beyond the look. Tailored by Natalia.
Solène
The Grand Tour
The Solène is a tunic dress cut in ivory Silk Crepe de Chine — the fabric falling with a quiet weight that moves with the body rather than against it. A hand that speaks for itself, draping with the ease of something made to be lived in. Inspired by 1960s dressing, a side opening runs the length of the piece, finished with delicate hand-stitched buttons that reveal movement as she walks. Composed for summer, and everything that comes with it.
—
Tailored by Aliona.
Sylvie
After Six
Defined by a deep V neckline and a hand-gathered waist, the Sylvie blouse is composed to shape the body with fluid precision. Cut in black silk, elongated cuffs and mother-of-pearl buttons bring a quiet refinement to the line. Inspired by 1960s dressing, it is designed to be worn with the Camille Skirt as a single, unbroken silhouette.
—
Each piece commissioned separately, to live beyond the look. Tailored by Armine.
Carolina
The Second Skin
The Carolina Jacket reimagined in dove grey Slow Silk — the House's signature silhouette drawn closer to the body, a double zip contouring the line with precision. An elongated, sensual expression of tailoring, composed in the spirit of 1960s dressing.
—
Tailored by Lidia.
By Commission
